I'm all alone in our lovely flat. Dani's camping on the Baltic Sea and our cat Kali hasn't been seen for almost a month. Grief is being delayed by the hope that she might come home, since we haven't heard otherwise. I'm really missing her. It was so nice to have a pet around the house again and we were just starting to get to know each other a little better. But it must be crushing for Dani - she's been with her for years.

It's been an emotional homecoming. After quiant, rainy Edinburgh with it's shiny, narrow, labrythine cobbled streets, Berlin feels expansive and loaded with potential. But I'm struck by the fact that I'm more alone here than I've ever been before. In the past month about half the people closest to me here have left and I'm reminded that Berlin is such a transient city. Having spent time with old friends in Edinburgh I'm realising how important community is to me - and I miss it. But there's no where I'd rather be at the moment and I'm learning how enjoy spending time alone - something I've never been very good at. I'm dedicating this week to pottering around my flat, cleaning, watching Six Feet Under and preparing myself to leave again next week.
In Edinburgh we listened to Daniel Kitson talk about 'home' in '66A Church Road.' I don't think I've ever really defined 'home' as my personal relationship with a particular building...until now. My flat on the 4th floor of Danzigerstr 136 is small but somehow open and roomy, warm, full of sunlight and completely loveable. It doesn't matter what I'm doing, just being at home in immensely pleasurable and I'm always happy returning to it. Kitson also reminded me of the 'other home' - I remember that the last time I saw one of his shows was at the Capitol Theatre with Elyse and Felix and that we nearly pissed ourselves laughing and that we ate some trash afterwards - probably steamed vegetarian dumplings and fried taro cake at Shanghai Dumpling. I'm looking forward to re-aquainting myself with Melbourne town. But for now it can wait.
While Kitson is always a sure bet for whimsy and giggles, unfortunately Edinburgh's highlights were non-theatrical.
My couchsurfing host was Lukas. A nice, queer Polish boy who volunteered in a support and out reach program for sex workers - providing safe sex supplies and legal advice, mainly. I arrived at his place on Thursday and on Friday evening we went to a rad queer party at Forest Cafe - a big collectively run cafe in the old town with a performance space and a big hall upstairs for parties. It looked like it might have been a converted Masonic Lodge - with a DJ booth in the old pulpit. Sadly the party never peaked and at the height of the evening there was about 7 people and a dog on the dance floor. Apparently the queer scene in Edinburgh is not much to speak of. I did meet some nice people though, including Nine who coordinated the program Lukas volunteers for and edits the sexuality column of the local street press. The next evening they were organising a screening of a doco from the European Conference of Sex Worker Rights. Somehow she managed to get Buck Angel to attend this little gathering in the loungeroom of someone's flat. For the uninitiated, Buck is a female to male transsexual porn star who has decided not to undergo phalloplasty and advertises himself as the porn industry's first "real man with a real pussy." Check out his blog - he mentions us in it! He had some pretty interesting things to say about the shit he went through trying to break into porn - an industry which supposedly caters to all manner of obscure fetishes. "Subversion" only possible within a certain restrictive framework? Evidence of the way mainstream porn functions to uphold normative heterosexuality? Perhaps...Either way I was pretty excited to see the show he was performing in, Jim Rose Circus. Unfortunately it turned out to be nothing but stomach-churning mysogyny packaged in tired, shitty showmanship - the best thing about it was the mediocre 80's hair metal coverband. Lame!
Enda Walsh's new play, 'New Electic Ballroom' was disturbingly hyper-real and performed with conviction but there was something unsatisfying about it. I would like to be able to say which element let it down but I guess in the end it just wasn't very memorable. On my last night in Edinburgh I ended up running through the rain on a whim to see Camille O'Sullivan. I've always overlooked her when she's played shows in Melbourne. Maybe that's because she doesn't have a particularly marketable gimick. A stunning, Irish-Frensh cabaret singer doing Weil, Brel, Bowie and Waits. Yeah, and...? Now I have to admit that this was an ignorant mistake on my behalf because she is actually one of the most engaging, idiosyncratic performers I've ever seen. She's fucking beautiful but she isn't afraid to look busted and ugly either - which you have to respect. She's wild, drunk and fucking fierce and at the same time kind of vulnerable and needy. She gets totally intimate with her audience too, she just comes and curls up on people - and it works. I guess there aren't many performers that could break down that barrier between performer and audience so completely and still be so commanding. Do I have stars in my eyes? Yes I do. I am completely in love with her.
But of course the best thing about Edinburgh was dossing about with Chloe, Adrian, Declan, Ashley, Gill and the rest. Eating vegetarian Haggis with neaps and tatties, drinking whisky, smoking too much tobacco, wandering through pretty streets, gasping at pretty views of the Castle. I miss them already.


